Tag Archives: Carl Theodor Dreyer

Martyrs (Pascal Laugier, 2008)

Despite its assured direction; despite its sumptuous minimal color palate (industrial greys, charcoal blacks, and linen whites flecked and splotched by crimson and skin); despite one genuinely stunning performance (by Mylène Jampanoï, who, to be fair, is given enough expressive … Continue reading

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