The Burning (Tony Maylam, 1981)

Has there even been a slasher film that devotes as much time developing the characters of the future teenage victims of a horribly-mutilated ex-caretaker as delivering the splash and shock of the revelations of said victims’ dead bodies? Was there ever a maniac-in-the-woods whose maniac-in-the-woods’ modus operandi seems at one point to be slaughtering nubiles for not successfully completing intercourse? And has any serial killer ever shared a name with a painter of the Hudson River School?

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